Friday, October 20, 2017

Teaching Kids To Draw Superheroes At The Merced Multicultural Arts Center

The best part of my week is teaching kids to draw superheroes at the Merced Multicultural Arts Center.
Having been away from my art desk for over a year, they task me to draw with them. They get to choose what to draw for an hour and it's usually cute animals.
Just the kind of cheerleaders I needed!

Cute Pug drawing

The Flash 12 minute drawing

Color drawing of Pizza Steve

Sophisticat - Cat drawing

Monday, October 09, 2017

Art Class For Kids At The Merced County Arts Center

In art class for kids at the Merced County Arts Center, I doodle with them to show how panels work in comic books. 
This is Superman versus the Hulk. Drawing time about 15 minutes.

Superman versus the Hulk

Tuesday, June 20, 2017

Aspiring Comic Book Artists - Elevate Your Portfolio

Written by: Vince Hernandez, Vice President, Editor-in-Chief at ASPEN COMICS

Aspiring artists, here are few tips that will help elevate your portfolio and overall presentation when submitting to comic book publishers.

Please note: these tips are for submitting to professional comic book publishers, not book/graphic design/production company art gigs. This is strictly for breaking into comics:
First, let your art do most of the talking but make sure you know precisely what your art says. What do I mean? Put your best examples of solid storytelling into your sequential art samples. Make sure the samples emphasize your strengths, not your weaknesses. Editors will find out those soon enough. Trust me.
Make sure to include 2-4 pages of solid sequential art storytelling. NO PINUPS, and absolutely try your best to cater your samples to the publisher you’re submitting to. Understand what their market demographic is and put your samples in front of the right publisher that would realistically hire you because you fit into their demo. As much as you think a publisher will change their business model because your experimental art is just that amazing—the real world doesn’t work that way.
Include the following tests of your skills to show in your samples and you can’t go wrong, even if you’re not good enough: storytelling, anatomy, emotion, perspective, composition, lighting and word balloon placement.
Avoid the following subjects in samples as they don’t provide a good evaluation to editors of your skills: monsters/creatures, your own characters that you made up, robots and experimental artistic styles that you don’t see on comic book stands every day.
Don’t try to be more than you are. What do I mean? If you want to be a penciler STOP coloring your own work if you’re not a pro-level colorist. You’re only making your work seem less professional. Seriously. I see this too much.
Make sure your contact info is clearly legible and that you have at least a working business email and/or a website that editors can find if they want to see more of your art. Here’s a secret—we will check on our own. DeviantArt is a fine replacement for a personal website but for the love of all that is good in the world PLEASE put your email contact somewhere on there where it’s easy to find. If I told you how many lost opportunities arose from me giving up on finding a contact email you’d cringe. 
When submitting a sample in person at a convention here’s a few tips to avoid: Never tell me that you made the copies of your work the night before the con. I hear this so often and all it tells me is that you suck at preparation and will probably do the same if I hire you.
Never provide incomplete samples and tell me you’re still working on them. Why this happens often I’ll also never understand. 
Anything more than 6 pages of sequential art is too much, and the editor reviewing your samples is thinking this with each additional page turn. 

"Stop with the pinups, seriously."

When given advice or critique on a page, don’t be that person that always gives an excuse as to why you did something. I’ve heard every excuse under the sun and none of them ever stack up. Just take the advice or pretend like you’re listening, both will net better results than anything you come up with.
Understand that editors receive hundreds of samples a week ON TOP of our regular workload which is a lot. So patience is key, and impatience will wreck your reputation fast.
Most importantly remember that no matter how great your art is, we still hire people we WANT to work with, so check your ego at the door.

Saturday, April 01, 2017

Warrior Woman Pencil Drawing

Warrior female fresh from a battle in a dystopian future.
My latest drawing of two models; one from a model website and the other Black Widow pose, Scarlett Johansson did for the Avengers poster. 

Sunday, March 19, 2017

Iron Fist on Netflix review: Avoid it

Iron Fist on Netflix review

There are multiple production companies on this series by Netflix and it shows. More money spent on set rental and designer clothes than editing. Lot's of splash and hard cuts to make up for Finn Jones lack of martial skill. Finn is a very good actor but the episode and a half of him stuck in a psych ward will leave you sleepy.

Jessica Henwick has some good scenes but you can see her acting. It's hard to watch.
Daredevil should have been their marker. This doesn't come close. Danny Rand's character is all over the board. He's a peaceful David Caradine type living in the park, then an angry rich boy yelling in a restaurant, not Iron Fist the defender of kunlun. Doesn't make sense nor does it carry the plot.

Iron Fist on Netflix review
The fight in the Dojo will make most viewers cringe

The villains are weak and feckless, the foreshadowing is vapid and predictable.
I was really looking forward to this as a call back to my youth with the build up to Iron Fist, Power-man team up.

Sorry man, I just cannot suspend my disbelief on this one long enough to ignore the shortcomings.

Iron Fist on Netflix review Facebook

Iron Fist on Netflix review Facebook

Iron Fist on Netflix review Facebook

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